Replies to This Discussion

Permalink Reply by Moderator on February 12, 2009 at 6:59am

I think this would have been huge a year or two ago, but with .mxf support in fcp, and pro res 422, it seems questionable whether it is really a workflow improvement anymore.....

Permalink Reply by Gregger Jones on February 12, 2009 at 10:42am

yeah but what about this one? Still goes straight to quick time. It seems interesting.

http://pro.jvc.com/prof/attributes/features.jsp?model_id=MDL101851


It can also record to the SXS, with an optional clip on device, and the SDHC at the same time but it won't do over under crank so really whats the point in the SXS?

Permalink Reply by Bryan Tanori on February 17, 2009 at 10:19pm

Interesting, I remember I almost bought the GY-HD200. But this is great in that it shoots straight to Quicktime. The P2 workflow still works out pretty well with Raylight for Mac and FCP.

Looks good for a second cam, shoots 1080p in 24/25/30, comes with a nice piece of glass. Interesting enough to take a look at.

Permalink Reply by Gregger Jones on February 17, 2009 at 10:21pm

Have you tried the calibratedmxf plug in from the apple website? Also we are supposed to have the HPX300 at Abel Tomorrow if you are in the hood you should stop by.

Permalink Reply by Kenneth Hayes on January 2, 2011 at 11:47pm

Anyone shooting on the Panasonic ag 40?

Permalink Reply by Gregger Jones on January 18, 2011 at 11:50am

No... I've played with it before... U got one?

Permalink Reply by Ethan Sigman on January 20, 2011 at 12:28pm

Heres a link to a post where the author says its noticeably sharper than the 150...  the possibilities for small cams into tight spaces is going up all the time...